It’s difficult enough for anyone to sort through the artifacts of their deceased parent or grandparent’s home and figure out what to save, what to donate, and ...
“I just wanted to take one of my most favorite and beloved genres of all time and tell the woman’s story inside of it,” writer-director Julia Hart told the Hol...
The most important memory for audiences to remember is the one Ethan (Sathya Sridharan) specifically tried to forget. His father (Nikolas Kontomanolis) is sitt...
Ma Rainey’s Black Bottom director George C. Wolfe and screenwriter Ruben Santiago-Hudson may not bring the same cinematic eye that Denzel Washington infused in...
The reign of bigotry and terror from Donald Trump and his administration can often take the form of a myopic view for those in the United States, witnessing on...
Late in Justin Staples’ brief exploration of the sub-genre known as "SoundCloud Rap," New York Times pop music critic Jon Caramanica opines that "what young pe...
An emotional rollercoaster from minute one, director Luke Greenfield's Half Brothers ultimately taps into something earnest. Renato (Luis Gerardo Méndez) is a ...
After spending two decades as a British aid worker throughout a war-torn Middle East, Hana (Andrea Riseborough) chooses Luxor as the destination for her leave....
The day Audrey (Sheila McCarthy) and Henry Walsh's (Julian Richings) grandson Jackson died was the day they sold their souls to the Devil—figuratively speaking...
There’s a certain aura that some people who’ve lived a lively, eventful life possess––a rare shimmer of self-belief and authority. Errol Morris’ new documentar...
