In 1953, Chris Marker and Alain Resnais released Statues Also Die, a key work in their fledgling early careers that focused on traditional African art and its ...
As his old compatriots dabble in as far flung places as comic noirs (The Whistlers) and über-dense period symposiums (Malmkrog), it’s interesting that Radu Jud...
As writer/director Eddie Huang's fortune teller states, when a dragon and a dog come together, they create a snake. That's what Alfred 'Boogie' Chin (Taylor Ta...
After the ambitious and wildly popular Portrait of a Lady on Fire shot Céline Sciamma into the arthouse stratosphere, she has returned with her fifth feature, ...
Falling in love with a robot isn’t good news, as Her and Blade Runner (both 2019 and 2049) tell us. In I’m Your Man, unspooling in competition at Berlin, a for...
“I was locked in Guangdong jail for twenty days,” says Hong, a resident of Wukan, China who became a key figure in the small village’s 2011 protests that drew ...
Doug Liman's foray into science fiction has given us inexplicable lows like Jumper, and impressive heights such as Edge of Tomorrow. Chaos Walking finds an int...
First paragraphs of Hong Sang-soo reviews often dwell on the Korean master’s penchant for self-repetition, soothing readers that narrow expectations will be fu...
Add another entry to the time loop directory with Joe Carnahan's Boss Level arriving as this month's installment of what feels like a regular ritual these days...
Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
