With his new picture, Guy Ritchie continues down a familiar, albeit entertaining, road. Following a decade-plus of big budget tentpoles (two Sherlock Holmes mo...
Depending on the storyteller, the early 20th century folk hero Olivorio Mateo (the Papá Liborio of the title), was a Creole saint or a dangerous cult leader. H...
Never read the comments—a universal rule for all writers who publish, share, or create on the internet. No matter what you say or how you say it, there will al...
In the arid, lunar landscape of Ainhoa Rodríguez’s Destello Bravío, a whole village waits for things to fall apart. We’re in the rural outskirts of Spain’s Ext...
The After School Special vibe at the back of Marshall Burnette's Silo isn't a bug. It's a feature. Because beyond creating a captivatingly suspenseful premise ...
For nearly 30 years, O-bok (Jeong Ae-hwa) has operated her own successful seafood stand inside a small Seoul fish market. The hard, punishing work has made it ...
Arriving at an energizing time in American history (the arrival of a new administration looking to reset certain international priorities), Dror Moreh’s The Hu...
Yarchen Monastery located on the Tibetan Plateau is home to 10,000 nuns at any one point in the year. As Dark Red Forest explains in the opening title cards, m...
“Perhaps what is needed now is a cinema that is no longer Latin but something else,” said the Mexican director Pablo Escoto Luna in an interview for his short ...
An almost suffocating air of secrecy permeates Azor, a Swiss-Argentinean coproduction concerning the mutual suspicion and damnable complicity of patrician Nort...
