It was about halfway through Natalie Morales' Plan B (her directorial debut if you go by theatrical release date considering her festival title Language Lesson...
There’s a casual decadence to the films of Jon M. Chu, an energy about them that is irresistible to watch. Whether the director is indulging in absurd magic tr...
The Holocaust is one of the most exhaustively documented events in history, yet it can seemingly never be documented enough. This is not only due to the relent...
When a new low-budget horror film copies Jessica Harper’s car-bound arrival from the original Suspiria within its first ten minutes, one knows instantly what t...
The irony of neutrality is that you must have a formidable army to sustain it. Talk about privilege and naiveté as the aristocracy looks aghast when a foe such...
Since the opening scene of Jaws, many blockbuster filmmakers have strived to riff on Steven Spielberg’s particular four-quadrant brand of graceful thrills and ...
Aaron Falk (Eric Bana) wasn't ever planning on coming back. Leaving wasn't his choice, but at a certain point the present replaces the past. Hearing that his b...
Reaffirming Angelina Jolie’s interest in efficient action storytelling, co-writer/director Taylor Sheridan’s Those Who Wish Me Dead, adapted from Michael Koryt...
Perhaps the most clever idea in this prestigious throwback to potboilers of yore, The Woman in the Window, is how it upends the bourgeois escapism of most thri...
It seems strange to call a Zack Snyder movie nostalgic. Over the last decade the director has spent all his energy operating within the superhero industrial co...
