In Chad, whose two main languages are Arabic and French, "lingui" is a distinct term meaning a "bond or connection"; the film’s alternate title gives it a more...
All relationships are to some extent transactional, but none more than that between employer and employee. One provides capital, the other labor. This dynamic ...
Some hospitals are better suited for your needs than others no matter where you reside. Maybe you're lucky and the best is local in case of emergency. Maybe yo...
It’s always interesting, at the beginning of any Nadav Lapid film, to note the myriad Israeli institutions that have backed the project. Since Emile’s Girlfrie...
Scales is the latest in a movement of feminist cinema coming from Saudi Arabia, in the wake of great work done by Haifaa Al-Mansour (whose excellent The Perfec...
In Annette, a provocative comedian (Adam Driver) and renowned opera singer (Marion Cotillard) fall in love and have a gifted child. Written and composed by Ron...
Steven Soderbergh is one of the few commercial American directors who makes films about money—stealing it (the Oceans trilogy, Out of Sight, The Informant!, Th...
It’s been over four years, and what feels like a lifetime of online debate, since the release of Wonder Woman, a female-led superhero film that was praised as ...
There's one key fact about the fifth and (apparently) final installment in James DeMonaco's Purge series that demands mentioning: it was scheduled to debut Jul...
For its first act, Till Death tries keeping things muted. S.K. Dale directs his cast to deliver lines as if they’re somewhere between whispering and talking; c...