It's a crisp morning in Nyon and Lucrecia Martel is going off on one. “To arrive at a meaning you need a sentence, so that is the word order," she begins, her ...
Picking up the pieces of her life after a terrorist attack in Paris, Mia (Virginie Efira, in a César-winning performance) attempts to reconcile fragmented memo...
As both his first western and first time with sci-fi, there's never been an entry into either genre that looks quite like what Wes Anderson conjured with Aster...
Having been responsible for some of the most iconic photographs since he picked up a camera nearly five decades ago, Anton Corbijn seamless transition to music...
As filmmaking gets further relegated to smaller screens, it's a breath of fresh air to have a director like Pietro Marcello crafting cinema that is best experi...
One of the year's most accomplished directorial debuts, Georgia Oakley’s deeply felt, grounded drama Blue Jean is set in 1988 England amidst Margaret Thatcher’...
Past Lives is a human story. The debut from playwright-turned-director Celine Song, the drama encompasses 24 years of a relationship between Nora (Greta Lee) a...
Even having interviewed Abel Ferrara a decade ago on the occasion of Ms. 45's re-release, an opportunity to speak with the legend still felt exciting, and bord...
"The Wizard of Oz is a film with very great power... And it’s to be expected that it has stayed with us for the past several years and that we find its echoes ...
There’s a comfort witnessing characters in a Nicole Holofcener film discuss banal, everyday topics—ones largely absent in cinema. In her latest, You Hurt My Fe...
