One of my most-read pieces last year revolved around two films that hadn't shown a single frame. Strange except for the fact that it was a conversation with Er...
For Orlando, My Political Biography, the term “festival darling” is an understatement. This experimental take on trans history, storytelling, and filmmaking it...
Raven Jackson’s All Dirt Roads Taste of Salt is a small miracle. A feature debut from the Tennessee-born writer and director, the A24-backed film acts as a med...
The Delinquents is the sort of pleasurable movie that never feels rushed, masterfully carrying a viewer along a variety of detours over its three-plus hour run...
In Sibyl, Sandra Hüller appears at the midway point for a scene-stealing role as a director attempting (and failing) to prevent a love triangle between her two...
Following his Golden Bear winner Bad Luck Banging or Loony Porn, Romanian writer-director Radu Jude wowed critics again with the satire Do Not Expect Too Much ...
Cinematographer Ed Lachman doesn’t often work with new directors, but for someone he considers “the most important filmmaker in South America,” he’ll make an e...
Special is the opportunity to speak with one of our great living filmmakers; doubly rare is a chance to do so as their latest project premieres on YouTube. Par...
We recently had the good fortune to speak with the talented, prolific filmmaker Wayne Wang about his long career, in particular his film Dim Sum: A Little Bit ...
