Seeing Anthony Dod Mantle's name on EnergaCAMERIMAGE's guest list, I had some instinct we should talk. Few cinematographers in my (or yours or anyone's) lifeti...
Safe saying no Holocaust film's ever looked or moved like The Zone of Interest, whose visual scheme are so odd, so resistant to expectation or desire, that it ...
One of the less public-facing key talents at the most publicly scrutinized animation studio in the world, cinematographer Atsushi Okui joined Studio Ghibli in ...
Nearly 24 years ago, Chris Wilcha premiered his debut feature documentary, Target Shoots First, a fascinating personal essay shot on a Hi8 camera gifted to him...
Willem Dafoe is your favorite actor’s favorite actor. He’s your favorite director’s favorite actor. He’s likely most people’s dad’s favorite actor. Over his 40...
It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that...
Among the most enduring films––not only from the furtive creative period of the 1970s, but all of cinema history––Terrence Malick's second feature Days of Heav...
With her starring turns in two of the year’s most audacious films, Sandra Hüller has cemented her place as Europe’s leading––and perhaps most fearless––actress...
The mark of an actor's career, I think, is what extent their filmography can reflect the time they're working. Matthew Modine is a prime case: we can point, fi...
