That English-language cinema has no parallel for the Garrel family is equal testament to their legacy and our shallow, piddling culture. While Philippe Garrel'...
In Drylongso, Pica (Toby Smith) coughs her way through each day. She goes to photography class at the local college, works nights putting up posters for variou...
In Palm Trees and Power Lines, director Jamie Dack carefully sets up the factors that lead teenager Lea (newcomer Lily McInerny) into a relationship with Tom (...
In Return to Seoul, director Davy Chou tells a moving story of fractured identity amidst a constantly changing world. It's through the eyes of Freddie (Park Ji...
For all the twists and turns in Sharper, what stands out the most is the film’s aesthetic: often beautiful to observe but also diverse in its rendering of diff...
“I’m a new filmmaker,” Linh Tran tells me at one point, with an emphasis on the word new, when talking about Waiting for the Light to Change. Born in Vietnam, ...
Hlynur Pálmason’s working methods push against traditional notions of filmmaking in almost every regard. He lives in a remote Icelandic village with his family...
Brandon Cronenberg shows no fear returning to images and themes popularized by his father David. Even the literary influences apparent in his work––Phillip K. ...
Jesse Eisenberg is exactly how you might expect. He’s anxious, speaking quickly with his hands, a slight tremble in his voice from a clear nervousness. In fact...
For five years, Canadian filmmaker Kyle Edward Ball’s YouTube channel “Bite-Sized Nightmares” has been showcasing shorts full of fuzzy video, distorted sound, ...
