No Strings Attached was on the receiving of quite a word-of-mouth campaign, as I swear it was brought up on every single podcast to which I listen. It was rea...
While the oft acclaimed and always colorful Spanish filmmaker, Pedro Almodóvar, puts the finishing touches on his upcoming revenge drama The Skin That I Inh...
Toeing the line between pretension and pleasure for all of its 91 minutes, Miranda July’s The Future ultimately emerges as a testament to original voice yel...
While some of the shine has come off last summer's grounded family drama, The Kids Are All Right, the reputation of its co-writer Stuart Blumberg, who scrip...
Morgan Spurlock, who rose to fame after famously stuffing his face with Big Macs and French fries in Super Size Me, returns to form with The Greatest Movie ...
Drake Doremus' Like Crazy is an intensely personal film. Some may relate to its themes of longing and love, while others may find it disconnected and manipu...
I loved Richard Ayoade's directorial debut Submarine so much at Toronto International Film Festival (video review here), that I had to see it again during S...
The first screening I attended at this years Sundance film festival was Shorts Program 1, where I was privy to witness a grab bag of both excellent and sub-par ...
Few films make me really laugh out loud, maybe its because of my fondness for the darker psychological fare of filmmaking, but The Guard directed by newcome...
Young, star-crossed love. Every Sundance there's never a shortage of coverage on the subject. This year there's Submarine and Like Crazy, directed by Richard ...
