To no surprise, Todd Phillips' sequel to the biggest R-rated comedy of all-time, The Hangover Part II, took in a massive estimated $86.48m over Fri-Sun. Add...
The Double Hour is a well-crafted thriller from Italy, holding our attention, while often keeping us guessing as we get plunged into the cold. The exhilarating ...
Last month, a somewhat disappointing trailer dropped for One Day, Lone Scherfig's (An Education) highly-anticipated adaptation of David Nicholls' bestsellin...
With this three-day weekend set to pop, Hollywood is letting loose a bevy of last-minute casting news.
First up: Colin Hanks has just signed onto My Moth...
After directing the impressive horror film All The Boys Love Mandy Lane (which sadly never got a theatrical release here), and then the pot comedy/drama The...
Last week we reported that the Rashida Jones-penned indie rom-com Celeste and Jesse Forever had begun casting, adding such indie luminaries as Ari Graynor, Em...
Producing animation sequels is precarious. Every factor in these additions tend to fall short: the visual effects, the plot, the reception, etc. Dreamworks ...
One of the titles I missed at TIFF last year was the Rachel Weisz drama The Whistleblower. Larysa Kondracki's political thriller played to decent reviews an...
Just as Peter Jackson courted and nurtured Neill Blomkamp's directorial debut District 9, Dark City helmer Alex Proyas will be doing the same for another yo...
Sarah Siegel-Magness, one of the three Oscar-nominated producers of Lee Daniels' 2009 hit Precious: Based on the Novel 'Push' by Sapphire, will be making her di...
