Japanese cult filmmaker SABU is known to spice things up in his work. The kooky mix of violence, fantasticism and humor sometimes leads to unwatchably ridiculou...
The worst choices for festival competition aren’t necessarily the worst films. Those which aim too high, go too far, try too hard often end up making a complete...
With this visually and conceptually startling debut from Eduardo Casanova, the question of how John Waters and Pedro Almodóvar’s love child would fare as a film...
It’s one thing to give your movie a title as sweepingly ambitious as On Body and Soul, but quite another to deliver something equally transcendent. With this co...
We all experience drastically different film years. For simple logistical reasons, this Europe-based reviewer has yet been able to see Moonlight, Jackie, Sile...
A couple of months ago, we noted how it’s been a seriously underwhelming year for Chinese-language cinema – an assessment that stands despite the recent release...
In the early minutes of Chinese director Yang Chao’s sophomore feature, a fish is thrown into a bowl of water somewhere along an anonymous riverbank, darkened w...
Studio Ghibli's The Red Turtle, their first international co-production (handled in conjunction with Wild Bunch), screened at this year's Filmfest Hamburg, an...
We’ve lamented the qualitative drop of Chinese cinema around this time last year, as Hu Guan’s glossy generational drama Mr. Six closed the Venice Film Festival...
Premiering in the Venice Days section ahead of its 2017 Australian release, director Ben Young’s feature debut is the kind of film you wish you could un-see – e...
