Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Pr...
How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Gra...
The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Ber...
After winning the Un Certain Regard prize at Cannes last year, Molly Manning Walker’s singular debut How to Have Sex has been racking up BAFTA nominations and ...
In 1972, Uruguayan Air Force Flight 571 crashed deep in the Andes, en route to Chile. The 45 passengers included the Old Christian Rugby team, friends, and fam...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
The second part of this year’s Venice Film Festival shines with at least two firsts: Ava DuVernay is the first African-American female director competing for t...
Texas, late summer, a family in the dozen: with only a few simple building blocks, artist-filmmaker Lucy Kerr rearranges domesticity into eeriness in her featu...
Following The Wild Boys and After Blue, Conann marks the third feature-length project from prolific shorts filmmaker Bertrand Mandico. Many are still not convi...
