To be painfully frank, when it comes to young actors in coming-of-age movies, the road from breakout performance to any kind of relative success (or even freque...
If the protagonist of Diamantino reminds you of a certain celebrity it is, as we can only presume, not accidental. The character in question–for whom this hallu...
At what point do vaguely-related surface movements form into something resembling a wave? The idea of a so-called “Berlin School” has been doing the rounds for ...
It probably says more about Ciro Guerra’s last film than this inimitable new offering (which he co-directed with his long-serving producer Christina Gallego) to...
Last week we saw a film from Pawel Pawlikowski that crossed continents and spanned decades and lasted a mere 84 minutes. With the exception of a devastating cli...
There is a movie within the movie Knife + Heart and it boasts the slightly euphemistic title of Homocidal (although I prefer the working title: Anal Fury). It i...
The films of Alice Rohrwacher have always been rich with the sensory magic of growing up, but that atmosphere has, up to this point, been enhanced with the know...
Whoever it was that said a film should be expanded from a short story, not condensed from a long one, certainly had Lee Chang-dong’s ear. For his latest film th...
With Like Father Like Son (2013), Our Little Sister (2015), and After the Storm (2016) all premiering one after the other at the Cannes film festival and The Th...
There are many things of which we may not necessarily need reminding that, nevertheless, must not be forgotten. Trust me when I say it is in no way a spoiler to...
Irish-born, Berlin-based, Rory O'Connor has been covering the European film festival circuit since 2012. A regular contributor to The Film Stage, his work has also appeared in Frieze, The Playlist, and CineVue.
