It isn’t easy making a film like Driveways stand out. We have walked these streets so often before. We know the twists and turns. We expect the darker corners. ...
For his debut feature, writer-director-cinematographer Mark Jenkin takes a parable about a contemporary fishing community under threat from wealthy outsiders an...
Eight years on from announcing his retirement from filmmaking following the release of The Turin Horse, Hungarian maestro Béla Tarr is keeping busy....
With her landmark scores for Under The Skin and Jackie, Mica Levi has quickly made a name for herself as one of the most significant cinematic composers of the 21st century thus far. Good luck telling her that....
In the new feature film The Plagiarists a young, white, highly educated couple on their way home from a weekend getaway have car trouble and find themselves str...
There is an uncomfortable, universal wound being picked at in Dan Sallitt's latest film, regardless of which of its characters the viewer relates to more. The q...
Where to begin with a film like The Kindness of Strangers? Well, Lone Scherfig’s new ensemble romance, which inexplicably opened the Berlin Film Festival this w...
The defining moment of the Romanian New Wave came in 2007 when a 39-year-old filmmaker named Cristian Mungiu won the Palme d'Or in Cannes for 4 Months, 3 Weeks and 2 Days. It was only his second feature film....
We met Frémaux at the Marrakech film festival recently and found him in an affable mood, happy to discuss how his job has changed in those tumultuous years....
Irish-born, Berlin-based, Rory O'Connor has been covering the European film festival circuit since 2012. A regular contributor to The Film Stage, his work has also appeared in Frieze, The Playlist, and CineVue.
