Toshiaki Toyoda is known as somewhat of a rebel filmmaker in his home country of Japan, partially because he was blacklisted from the film industry after being ...
In the omnibus Korean film Doomsday Book, two different filmmakers tackle 2012's running theme (the apocalypse) with three different short films that are es...
In Peter Chan's action packed epic Wu Xia (or Swordsmen), the successful Chinese director takes the classic wu xia genre of films made popular by the Shaw B...
It’s that time of year again when T-shirts start to get sticky, humidity makes the air thick and rays from the sunshine intensify the already palpable heat ...
It’s hard for any director to return to the genre that once heralded their filmmaking bravado as revolutionary. Yet it's something we as audiences crave, especi...
This year's Cannes Film Festival was a flurry of cinematic diversity. From super serious art-house films to the lighter fare that Hollywood is more akin to,...
One of the surprise films that played at this year Cannes Film Festival premiered in a special screening for the Director's Fortnight. That film is Sightsee...
In Carlos Reygadas' Post Tenebras Lux, a Latin phrase which translates roughly to "light after darkness," the Mexican filmmaker continues to channel his tradema...
At this year's Sundance film festival there was one film that stuck out as anomaly of a new kind of documentary that re-examines the very essence of film cr...
In David Cronenberg's adaptation of Cosmopolis, a novel by post modern author Don DeLillo, the Canadian filmmaker tackles a dense criticism of capitalism, greed...
