Raffi Asdourian

[Cannes Review] The Skin I Live In

Director Pedro Almodóvar is a true master at weaving multiple relationship threads and themes in a seemingly nonchalant fashion. His ability of control seem...

[Cannes Review] Pina

After watching Werner Herzog's Cave of Forgotten Dreams, a 3D film about prehistoric paintings in France, it became clear that perhaps there is an appropria...

[Cannes Review] Wu Xia

In Peter Chan's action packed epic Wu Xia (or Swordsmen), the successful Chinese director takes the classic wu xia genre of films made popular by the Shaw Bro...

[Cannes Review] Melancholia

Lars von Trier, the notorious bad boy maestro of Cannes, has delivered a new masterpiece in the form of the apocalyptic Melancholia. Following the disturbing ...

[Cannes Review] The Artist

With the current generation of film goers awash with movies splattered with special effects, artificial 3D processing and endless computer generated images,...

[Cannes Review] Miss Bala

In a visceral manner, the Mexican thriller Miss Bala brings into focus a serious problem the country faces with the drug cartels. It centers on an young gir...

[Cannes Review] The Tree of Life

Terrence Malick is one of the most interesting American directors working today, despite making only four films previous to his latest endeavor, The Tree of...

[Cannes Review] The Kid with a Bike

It's not a proper Cannes film festival without an entry from the two time Palme D'Or winners the Dardenne brothers. Luckily the Belgian duo are back with an...