In Ben Wheatley's third film Sightseers, the British director, known for taking scenes of normalcy and then spiking them with extreme violence, continues his st...
In Leos Carax's (Pola X) delightfully surreal Holy Motors, the filmmaker seems to be channeling the absurd sensibilities of Luis Buñuel in his prime. Having not...
One of the early stand-out films of this years Cannes film festival was its opener, Moonrise Kingdom, by quirky American auteur Wes Anderson. Combining a vi...
Iranian filmmaker Abbas Kiarostami made a major splash at the 2010 Cannes film festival with his first feature film shot outside of his home country of Iran, Ce...
Takashi Miike (13 Assassins) is perhaps one of the most prolific filmmakers working in contemporary cinema today. He averages about 3 to 4 films a year and has ...
Pablo Larraín (Post Mortem) has achieved something spectacularly unique with No, his beta-max rendition of the 1988 referendum vote in Chile concerning dictator...
Just a few moments ago at Cannes, The Weinstein Company gave a special presentation of their partial upcoming fall slate, including the first footage of thr...
After watching Antiviral, the debut feature film from Brandon Cronenberg, there is a sense that the young filmmaker has been influenced by a myriad of different...
There is a certain indescribable manner in which Michael Haneke is able to lure you into his films that leaves you in a state of both shock and awe. It's everyt...
Romanian filmmaker Cristian Mungiu is undoubtedly a Cannes darling, with his debut feature film Occidental having premiered in the Director's Fortnight in 2002 ...
