As a slightly ill-fitting adolescent who'd pass time in class writing down a complete chronology of the Metal Gear narrative, Hideo Kojima's ascendance to full...
Catering directly to my interests, the Criterion Channel's January lineup boasts two of my favorite things: James Gray and cats. In the former case it's his fi...
One year after his 80th birthday and with a new lease on life, Peter Greenaway's begun shooting his first feature since 2015's Eisenstein in Guanajuato with a ...
It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumThe new 4K Days of Heaven restoration is now playing (read our interview with Bro...
The lesser-known of Charlie Chaplin's canon might still place among the finest films ever made, and his greatest scholars and acolytes will tell you A Woman of...
The mark of an actor's career, I think, is what extent their filmography can reflect the time they're working. Matthew Modine is a prime case: we can point, fi...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterThe films of Kijū Yoshida are now playing in a massive retrospective....
It's less a question if Bertrand Bonello's The Beast is a major mark on 2023 and more an issue of whether or not I'll ever, even at a microscopic level, manage...
Rarely does a short generate interest like The Daughters of Fire, an ink-to-runtime ratio that could best be explained by its status as Pedro Costa's first pro...
