See enough by any director and you'll start thinking you've got a grip on the enterprise. See everything they've directed -- "everything" here constitutes 17 fe...
It'll be hard for me to read, hear, type, or say the title of Pablo Larraín's new film without hearing '60s-era Scott Walker and a charging backing band, bu...
Criterion's been on a bit of a Krzysztof Kieślowski tear as of late, having just given his towering Dekalog a Blu-ray release. One doesn't need much of an e...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Few fall films, foreign or otherwise, are as likely to generate conversation as Park Chan-wook's The Handmaiden, a sprawling and seductive story of deceit, ...
Excepting, say, Toni Erdmann, no 2016 premiere has earned quite the wave of acclaim bestowed upon Jim Jarmusch's Paterson, which we called "a fresh new mast...
Henry: Portrait of a Serial Killer's nature has long prevented the mainstream exposure some horror films of its era (e.g. The Evil Dead) were able to attain...
If you can absolutely expect one thing from Paul Schrader, it's the work of an artist whose particular worldview, no matter the production-related constrain...
Gianfranco Rosi's Fire at Sea has the makings of a deeply fascinating documentary -- largely because it's in the "meta-fictional" camp that raises the anten...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
