This summer marks the centennial of James Baldwin, whose brilliance, boldness, and bravura have made him the rare Civil Rights icon who's also endured as subje...
Orders from the Pope make a Catholic work quick: right after Killers of the Flower Moon's Cannes premiere Martin Scorsese visited Pope Francis and, in his own ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterThe massive Edward Yang retrospective, New York’s first in a dozen ye...
No reasonably intelligent person imagines an artist's statement about the horrors in Gaza would, in fact, end those horrors, but there are always limits to wha...
Film at Lincoln CenterA massive Edward Yang retrospective, New York’s first in a dozen years, continues with A Brighter Summer Day, Yi Yi, and new restorations...
Film at Lincoln CenterA massive Edward Yang retrospective, New York's first in a dozen years, has begun, featuring new restorations of A Confucian Confusion an...
Seeing Anthony Dod Mantle's name on EnergaCAMERIMAGE's guest list, I had some instinct we should talk. Few cinematographers in my (or yours or anyone's) lifeti...
It would've been duly appreciated if Kiyoshi Kurosawa only debuted his Serpent's Path remake in the near-future; it's icing on the cake that 2024 will be his m...
Safe saying no Holocaust film's ever looked or moved like The Zone of Interest, whose visual scheme are so odd, so resistant to expectation or desire, that it ...
