Being the cinematographer who's had a heavy hand in cinema's most distinct visual palette of the last 20 years, Robert Yeoman -- better-known as Wes Anderson's regular DP -- need not have a new film for us to want to speak with him....
The composer discusses her score whose presence on the soundtrack is, like the surrounding film, something of a contradiction: unmissable yet unintrusive, and enveloping as it disappears into the dramatic action. ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Watch almost any scene from Roy Andersson's Living trilogy and you'll understand why he takes several years to produce one normal-length feature. Their orna...
It's unlikely that you want another person who'll describe the virtues of Out of the Past, Double Indemnity, Touch of Evil, The Maltese Falcon, Laura, The T...
For whatever differences they may have had later in life, Jafar Panahi has displayed nothing immense grief over Abbas Kiarostami's recent passing. It's init...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
When Brady Corbet's promising, Rooney Mara-led musical Vox Lux was announced this September, I couldn't help but grouse that the actress' rumored collaborat...
