If your typical conversation with a Sparks devotee is fannish evangelizing about why you must hear this album and that album is better than its non-existent re...
Early word so often means little word, and mum's (mostly) the word on whatever Leos Carax will reportedly shoot in Paris this summer. But something is somethin...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we're delighted to announce the return of NYC Weekend Watch, our...
Few filmmakers enliven conversation more than Christian Petzold, whose approach to any question—be it transposing narrative and philosophical tenets between na...
Influential instead of famous, brilliant in a way for which his medium has little remaining use, Monte Hellman died yesterday at 91. It was heartening, if not ...
If often considered a cult figure for roles in Manhunter, Last Action Hero, RoboCop 2, and The Monster Squad (among sundry similar), Tom Noonan is perhaps most...
Don DeLillo's rarely been adapted for film and Noah Baumbach's never adapted a novel*. Does that make them certain bedfellows? Well, no, probably not even a li...
Not that time stopped, of course. Nor is there interest in a kind of grand-standing disrespect towards whatever worthwhile cinema fit into the narrow 12-month ...
Every one of our conversations with Arnaud Desplechin eventually leads to Philip Roth. As far back as 2015 he told me of ambitions to adapt the author's 1990 n...
A minor update on Terrence Malick's next feature, about which news has been scant since last year. Our friends at One Big Soul have confirmed that what was onc...
