After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
The glow has not faded from Leos Carax's Annette, which—if we're really measuring these things—further certified its greatness as a year of white elephants, ne...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
Few film books in recent memory made waves like Adam Nayman's Paul Thomas Anderson: Masterworks, a too-rare melange of authorial talent, topical interest, and ...
If 2021 has been a calvacade of bad decisions, dashed hopes, and warning signs for cinema's strength, the Criterion Channel's monthly programming has at least ...
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
Museum of the Moving Image
The first seven seasons of On Cinema are screening this weekend; to promote his upcoming David Fincher book, Adam Nayman will int...
Metrograph
With her sublime debut All is Forgiven now playing, Mia Hansen-Løve has curated a series populated by the likes of Varda, Rohmer, and Edward Yang...
