NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject ...
Well, all right: the headline isn't 100% ironclad. Your mileage may vary on where the best of Hong Sangsoo's recent work—let's say the last five films instead ...
And lo a new year begins—or will in two-and-a-half months' time, which still won't stop Criterion from cracking the seal. 2023 (Christ) begins on a bang with B...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Halloween Ends arrives like the undercooked dessert of a three-course meal nobody much enjoyed—but what garnish these John Carpenter scores were! Unlikely as i...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
NYFF Revivals concludes with restorations of Edward Yang's A...
About, oh, a day after arguing Dark Glasses would surely be 82-year-old Dario Argento's final feature, the director showed why he is a legend and, cards on the...
Film Forum
Isabelle Huppert, our (give or take) greatest living actress, is celebrated in a retrospective that includes films by Pialat, Chabrol, and more, ...
A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...
Hot off INLAND EMPIRE and Lost Highway restorations, Janus Films have continued their well-reasoned associations with David Lynch by acquiring Alexandre O. Phi...
