Roxy CinemaFriday offers Amadeus on 35mm, Hardcore, and Christmas Evil.
Film at Lincoln CenterLars von Trier’s The Kingdom II, restored in a new director’s ...
What will be your first movie of 2023? If you're reading this it's likely you put some (let's be honest: too much) thought into what commences the cinematic ye...
Roxy CinemaWe're proud to kick off The Film Stage Presents, a new screening series at the Roxy that begins with 35mm showings of Steven Spielberg's The Termina...
March is for women in trouble. So Criterion decided when they slotted INLAND EMPIRE, which follows this year's major repertory run with a dazzlingly stacked se...
“Wow, this is uncomfortable” was my first thought watching Avatar: The Way of Water. James Cameron’s sequel—so long-rumored, delayed, confirmed, delayed, discu...
Japan SocietyOne of Japan's great living directors, Shunji Iwai, is highlighted in "Love Letters," a four-film retrospective.
Anthology Film ArchivesHistoir...
It's not quite the first time we've written about a video game, but it's surely the first I've felt so compelled. So's my compulsion with Hideo Kojima, that ra...
Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...
At some point in the last few years of compiling The Film Stage’s Weekend Watch column, which seeks to highlight the best in New York’s repertory offerings, we...
By any metric is Annie Baker one of American's great living dramatists—it's just a bit harder to notice when her chosen field is theater. But grab any of Baker...
