Just ahead of its July 16 release, David Lynch's next album, The Big Dream, is available to stream (in full!) from Pitchfork. By now, you have some idea of ...
In anticipation of a red band trailer premiering Wednesday, the new theatrical poster for Spike Lee's Oldboy -- one of our more anticipated titles of the fa...
Lines and lines of information weave in and out of each other at a pace far too liminal and frantic for any one person to be on top of any single thing at any g...
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile rep...
"Did you ever see Crash?"
"Oh, yeah -- that movie's terrible."
"What? I think it's easily among the most important movies Cronenberg's ever made. I'd ...
No matter your credentials as a film artist, the task of adapting a literary titan such as William Faulkner is, while not 100% advisable, brave -- even "bra...
It was sixty years ago this day when Paramount Pictures released Stalag 17, at first sight a seemingly familiar POW picture that, in the decades since its p...
Those in the U.K. will have The World's End in eighteen days, those in the U.S. must wait until late August, and I sort of wish George Washington et al. had...
Every now and then I find myself wondering what aging members of the New Hollywood gang discuss when (or if) they pal around. (Photos like this really spark the...
There are, I imagine, a very small number of scenarios in which it's reasonable to place Tim Burton "above" Paul Thomas Anderson -- save for a bottom-to-top...
