Things rarely seem easy for Abel Ferrara, an artist whose tough, uncompromised vision often makes difficult the acquiring of funds -- and even when the man ...
By just about every account -- including its creator's "silent" judgement -- Dying of the Light, or the approximation of Dying of the Light that slithered i...
Between the endorsements in features and my own rave review, it's safe to say we're fans of Mia Hansen-Løve's newest film, Eden, and we hope that you've bee...
Perhaps no film on last year's fall festival circuit built as much steam, so quickly going from essentially unknown to much-discussed must-see, as Josh and ...
Following the batch of stills that we premiered last week, Henry Gamble's Birthday Party -- the new film from Stephen Cone (Black Box, The Wise Kids) -- has...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Any cinephile worth their weight in salt knows Orson Welles didn't direct The Third Man, but the mark Harry Lime leaves upon that Carol Reed-helmed classic ...
You've seen the films. (Some of them, at least.) You've heard the stories. You've read the outlandish quotes. You've seen... the unfortunate commercials. Al...
Of the many films that played at this year's Berlinale, few seem as pleasant as Mr. Holmes, in which Ian McKellen plays the world's greatest detective embar...
In the long, terrible line of indignities against Orson Welles, few sting as much as the suppression of Chimes at Midnight. His Shakespeare-pilfering master...
