Crimson Peak works as many things: a melodramatic romance; both the recreation of a period and a revival of the way movies have made us perceive it; a genre-jum...
I don’t know why any film about someone as innovative, unstoppable, and crazy as Miles Davis leaves so little impression, but to begin addressing that question ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Has the hype around a nearly wordless, 54-minute, India-set documentary ever been so high? This is what happens when Paul Thomas Anderson, a not-unpopular choic...
Takashi Miike has settled on his (give or take) 416th feature, and it's in a territory that won't surprise any of this prolific helmer's fans. Following Yak...
No film in recent memory leaps off the screen like The Forbidden Room, Guy Maddin and Evan Johnson's omnibus-like homage to numerous forms of cinematic storytelling. ...
So impressive was the output and so titanic was the presence of Chantal Akerman that news of her death, despite being about as current as any such notice co...
If you know little about the work of Taiwan's Hou Hsiao-hsien but wish to brush up before The Assassin begins rolling out, consider these two examinations a...
Taken as a straight-faced, just-the-facts account of one great man’s amazing achievements, Steve Jobs is a bit daft. For as much as the structure of Danny Boyle...
