After the morning's quick onslaught of Cannes-related material -- the line-up, the images, and, most cherished of all, the Twitter debates about what Thierr...
There are no subtitles in the first preview for Johnnie To's Three, and that is perfectly fine. In just one minute, this wordless preview builds tension wit...
I thought about starting this with some note about living in a world where literature is increasingly unappreciated -- but nobody really needs that so I'll...
It would require two big restorations and come down to a limited, roll-out release of three films in total, but we might have a fine summer of Chinese cinem...
Nowadays, being a great fan of Brian De Palma means getting burned time and again by projects that are announced, linger, and taper off, and so I can only r...
Rare is the occasion when distribution news is cause for celebration, but we liked Hong Sang-soo's Right Now, Wrong Then so much that its arrival in the U.S...
Following word that David Oyelowo and Gugu Mbatha-Raw will get into the Bad Robot business with God Particle, a new casting update has made this project all...
It is with a bit of embarrassment that I admit, amid Cannes' overwhelming shuffle and hullabaloo, I'd failed to notice a new film from Hirokazu Koreeda. I w...
The speed at which Steven Spielberg's currently operating is almost exhausting to even think about. In the less-than-nine-month gap between Bridge of Spies ...
What, exactly, gets Shia LaBeouf and Flying Lotus partnered on a documentary -- as executive producer and composer, respectively -- and even after watching ...
