Since the start of the millennium, Ti West has been pigeonholed as a horror director, but even from the beginning, his interest in the genre moved far beyond c...
Osgood Perkins’ debut feature, The Blackcoat’s Daughter - originally known as February at its premiere at TIFF last year - is a stylish exercise in dread, teas...
About halfway through both Jean Renoir’s and Luis Buñuel’s interpretations of Octave Mirbeau’s 1900 class satire, A Diary of A Chambermaid, there’s a scene whe...
There are few conversational taboos more likely to cause arguments than sex offenders. For some, the mere mention of their existence is enough to make blood bo...
Originally released during a wave of enjoyable-but-disposable raunchy comedies, the first Neighbors was a trojan horse. Underneath a gleeful prank war arms rac...
Scot Armstrong’s Search Party, which is packed to the gils with comedic talent -- most of whom, thankfully, have found work that’s more tailored to their abili...
Like its namesake mutt, Dream Alliance, Dark Horse is an easy documentary to underestimate -- an archetypal underdog story of a working-class town coming toget...
Loosely based on a stranger than fiction story of a Bulgarian baby born without a belly button and umbilical cord, the expansive Viktoria is part-political alle...
Laura Bispuri’s moving, fiery Sworn Virgin comes in a recent tradition of cinematic meditations on gender as a form of identity like Tomboy and All About My Mo...
