The film industry is still a long way from racial equity, but the last few years have seen strides to bring the young black experience to the screen in films li...
The question of the existence of a soul has been one of the prevailing interests of modern science-fiction cinema. Films like Ex Machina, Her, Upstream Color, a...
Based on Fatima Elayoubi’s book, Prayer to the Moon, Phillipe Faucon’s Fatima is a slice of immigrant life story that’s become increasingly familiar as filmmake...
The central relationship in Maïwenn’s latest film, My King (Mon Roi), is familiar to anyone who knows a couple that seems perfect from the outside. Georgio (Vin...
From its beginning, the Bourne series has been defined by a minimalist approach to narrative. Beneath the jargon about multi-tentacled, global terrorist conspi...
Dozens of zombie films come out every year, and yet every one of them is being dictated by a rigid moral logic. Characters are placed into categories of heroes...
The two boys of Microbe and Gasoline are pre-naturally wise, casually uttering profound truths about sadness, pain, and time, but the smartest observation come...
With over fifty films to his name ranging from crime epics to romantic melodramas to anti-capitalist musicals, prolific Hong Kong auteur Johnnie To has long ha...
“It’s very dirty, and I know dirty.” Near the end of Brian De Palma’s oneiric exercise in sleaze, Dressed To Kill, high-class prostitute Liz Blake (Nancy Allen) recounts a recurring dream where she strips in front of a phantom intruder before he puts a razor blade to her neck....
Inside a darkened bedroom in Colombia, a son (Edison Raigosa) gasps for air. His family is surrounding his fragile frame, looking on in anguish as he lets out c...
