After 14 years of cinematic silence due to no shortage of legal troubles, Die Hard director John McTiernan is back. And if you did a double take upon readin...
Cinema is an image. Story is a cut. While there are stunning examples to the contrary, most of film's narrative history could be boiled down to editing. Man...
The first full-length trailer has arrived for the indie U.K. chiller A Dark Song, the directorial debut of Liam Gavin. Centered on a grieving mother (Cather...
Magicians have been trying to make a resurgence on the cool side of our zeitgeist since Now You See Me (we all know how that went), so it's no surprise a ne...
While they've been featured in a handful of films that have made their mark state-side Mélanie Laurent and Reda Kateb still find more than enough time to le...
The pitch "Frank Langella road trips with son-in-law Billy Crudup to get legally euthanized in Oregon" doesn't exactly conjure up images of hilarity, but di...
Writer and director Alex Garland's Ex Machina made its way onto many top of the year lists in 2015 (including ours) and became infamous on the internet for ...
While you were probably distracted by Blake Lively battling a shark for the lean hour and a half of James Collet-Serra's mid-summer delight The Shallows, yo...
The idea of different canonical figures from horror clashing in one realm has left the circulation of pure fan fiction since 2003's Freddy Vs. Jason (yeah, ...
With The Neon Demon now (almost completely) exorcised from Danish auteur Nicolas Winding Refn's system, he is already deep into preparing his next project. ...
Mike Mazzanti is a content project manager at a digital marketing firm by day and a screenwriter at heart. A lover of the outré and the everyday, he is the Resident Genre Enthusiast at The Film Stage and is currently based out of Washington, D.C.
