In Drylongso, Pica (Toby Smith) coughs her way through each day. She goes to photography class at the local college, works nights putting up posters for variou...
Though adapting Paul G. Tremblay’s The Cabin at the End of the World, M. Night Shyamalan’s newest film takes a different approach. Knock at the Cabin is an exe...
Jamojaya begins with a bang. In an interview, up-and-coming rapper James (Brian “Rich Brian” Imanuel) fires his father (Yayu A.W. Unru) as his manager. The sto...
Early into Raine Allen-Miller’s Rye Lane, the London-set romantic comedy shows a sense of newness. Using fisheye lenses, zooming close-ups, and integrated flas...
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless...
Without Justin Hong-Kee Min, Shortcomings would be sour to watch. His character, Ben, floats through Randall Park’s directorial debut with a mountain of unlika...
At first glance, the two friends in Against the Tide couldn’t be more different. Both Koli fishermen, their similarities seem to stop at the generality of thei...
Directed by Rebecca Zlotowski, the French drama Other People’s Children has a simple plot linked with complex ideas. Following Rachel (Virginie Efira), a 40-ye...
Divinity can best be described as a “brain trip,” a film that acts as an upgraded '80s B-movie. Eddie Alcazar’s futuristic, violent drama follows two brothers ...
Bad Behaviour cannot pick a tone. Over the 107 minutes of Alice Englert’s debut feature, the only consistency comes from constant shifting. Following Lucy (Jen...
