Mark, Mary & Some Other People represents a leap for Hannah Marks, the 28-year-old director premiering her first solo directorial narrative feature at the ...
Nearly 16 months after it premiered at the Sundance Film Festival, Robert Machoian’s The Killing of Two Lovers, picked up by NEON, has arrived. Machoian, who g...
French filmmaker Alexandre Aja’s newest film, Oxygen, finds Mélanie Laurent trapped inside a cryogenic chamber with a little less than 90 minutes of air left i...
Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
For four minutes of curator Sam Abbas’ 58-minute collection of docushorts from several European and American cinematographers, the camera sits on wrinkled bed ...
Julie Delpy’s newest film My Zoe finds the actress, writer, and director in a different, albeit much darker place. Starring as a mother with a young daughter w...
After building a career as an actor, first-time director Fran Kranz found his passion in the form of Mass. Framed as a conversation between two sets of parents...
With his films growing in popularity and success––capped off by his highest earner Baby Driver––Edgar Wright received the backing to direct his first documenta...
First Date contains all the trappings of a first film. With a minimal budget, the technicality of Darren Knapp and Manuel Crosby’s debut feature falters, unabl...
Clint Bentley’s Jockey sources its strength from its casting. Led by a career-best Clifton Collins Jr. and supported by more-than-solid performances from Molly...
