In her debut feature, Jazmin Jones and collaborator Olivia McKayla Ross are looking for answers. They turn to the divine, the public, and, of course, the Inter...
Maybe you’re vexed by the official description for Little Death, the debut feature from music-video director Jack Begert. Maybe you want to know more than, “A ...
In the middle of Black Box Diaries, journalist Shiori Ito's debut documentary, Ito grins at the camera as she strolls through downtown Tokyo on the day of her ...
Between The Sweet East and, to some extent, American Fiction, cinephiles seem to be increasing their appetite for politically incorrect commentary. Even if you...
Floridian residents of a certain age viscerally remember the name Terri Schiavo. She was a woman in a vegetative state who became the center of a national righ...
It seems these days the devil’s designs have strayed from virginal teen girls to kindergarteners. Whether stuffing them in animatronic suits or isolating them ...
Following The Film Stage's collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It’s...
For Orlando, My Political Biography, the term “festival darling” is an understatement. This experimental take on trans history, storytelling, and filmmaking it...
Before the New York Film Festival premiere of her latest opus, Green Border, legendary director Agnieszka Holland wished everyone a good screening: “I would te...
You've no doubt heard of John le Carré––at least for the film adaptations of his novels, among them The Spy Who Came in from the Cold, A Most Wanted Man, and T...
