If you’ve always liked Winnie-the-Pooh but wish it overflowed with death undertones and ponderings on the destructive nature of fame, has Simon Curtis made the ...
From its opening aerial shots, to the stylized font used to announce its title, it’s pretty clear that Andy Serkis’ Breathe is a throwback to a kind of movie Ho...
We talk to Kate and Laura Mulleavy about how their work in fashion shaped their film, their influences, and how Dunst almost became the third sibling....
We sit down with the idiosyncratic filmmaker to discuss the reasons why he wanted to tell the story of the NYPL, how his films are influenced by literature, and how he’s developed an eye for discovering larger than life characters....
Frederick Wiseman’s films are often filled with moments that subtly and unexpectedly jolt viewers who think they know what they’re in for. In Ex Libris, in whic...
Thirty years of marriage have turned Joan Anderson (Karen Allen) into “a mother and wife,” her sense of who she was before kids and marriage having almost vanis...
Throughout the decades, Morrissey has remained one of the most private celebrities in show business. The way he guards his private life is almost the exact oppo...
While the film is hilarious, Plaza also breaks your heart when you least expect her to, which makes for a promising future as one can imagine her in parts where humor wouldn’t be the main draw....
Jose Solís has been writing about film since he was 10 and realized his thoughts on movies were taking over his journal. He hasn't stopped writing since.
