One awards contender I've lost complete interest in is The Iron Lady. The Margaret Thatcher biopic is directed by Mamma Mia!'s Phyllida Lloyd and Meryl Stre...
With the Harry Potter series finished for Warner Bros. they are looking towards big tentpoles to take its place, revenue-wise. They have the biggest of them...
Coming off Forgetting Sarah Marshall and Get Him to The Greek, director Nicholas Stoller has excelled at crafting smart comedy with heart. His latest looks ...
I didn't want to acknowledge its existence, but the time has come. The Farrelly brothers have created their "passion project" and it is a modern update of T...
After breaking out in The Social Network, Armie Hammer has opted for mostly high-profile films. We saw him in Clint Eastwood's J. Edgar this fall, and he wi...
With production back on track to begin early next year, Gore Verbinski is now deep into casting Disney's blockbuster The Lone Ranger. We've already had John...
For many filmgoers, the knowledge of which studio is releasing what film they are seeing isn't necessary to the experience, likely a minuscule effect of the...
Aside from using Kavinsky's Nightcall before Nicolas Winding Refn got his hands on it for Drive, The Lincoln Lawyer does a surprising amount of things right...
Luc Besson is producing machine with Colombiana, Taken, From Paris With Love and the upcoming Lockout just part of his Hollywood slate. He also is involved ...
It is a little startling to see a new trailer for The Darkest Hour on Apple, since I keep forgetting it isn't a straight-to-DVD or SyFy release. But I'm con...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
