After coming onto the scene with Sin Nombre and his adaptation of Jane Eyre, and before he gained major attention thanks to the first season of True Detecti...
With a friendship that dates back over two decades, around the time they each broke out onto the filmmaking scene with Reservoir Dogs and El Mariachi, respe...
Few films each year get the distinction of screening at the majority of the major film festivals, but following in the path of Blue Ruin, Only Lovers Left A...
Of the many great breakthroughs in cinema this year, one near the top is the directorial talent of Ana Lily Amirpour, whose Iranian vampire western A Girl W...
Early next year we'll have a contender for one of 2015's funniest films, a New Zealand vampire comedy that actually premiered nearly a year ago at Sundance....
It's been two long months since I twice took in Paul Thomas Anderson's latest feature, and there's rarely a day that goes by where I can't wait to jump into t...
Bond is back. With Sam Mendes returning to direct, those behind Bond 24 held a press conference early this morning to unveil the first official details of t...
From major studios (The LEGO Movie) to mini-majors (The Boxtrolls) to independent distributors (The Tale of Princess Kaguya and Song of the Sea), it's been ...
We've arrived at the final month of the year and, as our various wrap-ups arrive over the coming weeks (see them all here), there's still a handful of worthwh...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
