While the first trailer for Pixar's latest animation, Inside Out, mostly relied on their past filmography to sell things, only hinting briefly at the backdr...
This morning the nominations for the 21st annual Screen Actors Guild awards rolled in, and while perhaps the expected movie about acting, Birdman, led the w...
We've explored the short films he made at NYU and even heard him recently talk about his experience there at-length, but it's rare to actually enter the mind of...
While we're clearly not as enthused as some when it comes to J.C. Chandor's period drama A Most Violent Year, one will likely walk away impressed by the lea...
As we reflect on the great animations that have arrived this year, it seems as though it's already time to put one of next year's firmly into our anticipate...
While James Marsh delivered the best documentary imaginable on the subject with Man on Wire, Robert Zemeckis is now set to provide a narrative take on the e...
When it comes to Brooklyn-set, female-led features at this year’s Sundance Film Festival, Jenny Slate’s Obvious Child seemed to stir up the most attention, ...
With no help from The Weinstein Company when it comes to an awards campaign for The Immigrant and the lack of backing from a major studio for Two Days, One ...
This year’s Toronto International Film Festival may have received big-name premieres from widely-recognized talent, but for our money (sorry) the most accom...
We recently got our first inkling of the line-up for Sundance 2015, but next year will also feature a few films from this year’s edition finally getting a t...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
