In the five years since Burning, South Korean master Lee Chang-dong has yet to announce a new project, but considering it was nearly a decade between his prior...
While there aren’t many palm trees in sight, the stretch of endless power lines in Lea’s (Lily McInerny) surroundings mirror the nature of her repetitive exist...
One of the long-overlooked gems of 1990s indie filmmaking, Cauleen Smith’s Drylongso has now been restored in 4K from The Criterion Collection, Janus Films, an...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Jordan Raup, Bill Graham, and Robyn Bahr are joined by special guest Josh Bell to di...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Working at such a clip it can be hard to discern when his films actually arrive stateside and on what platform, Quentin Dupieux's second movie of last year, Sm...
Hailing from Norway and, indeed, from the producers of the last major film from the country, The Worst Person in the World, Kristoffer Borgli's Sick of Myself ...
One early pick for the most-acclaimed films of 2023 is Celine Song's directorial debut Past Lives, which premiered at Sundance before stopping by Berlinale. Ah...
If we lived in an alternate universe where Bill Nye never got his big break, relegated to shooting his lo-fi children’s show from his garage and submitting tap...
Before Avatar: The Way of Water was released and James Cameron proved he was, indeed, king of the box office, the director revealed he thinks he's got about si...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
