We don't blame you if you also forgot about Demolition, Jean-Marc Vallée's latest drama. It opened Toronto International Film Festival to a fairly tepid res...
High-budget Hollywood features aren't the only films predicting what the future might look like. Benjamin Dickinson's Creative Control, which picked up a Sp...
The first of two Jeff Nichols films arriving this year, Midnight Special finds him in sci-fi thriller mode. Inspired by Close Encounters of the Third Kind, ...
If you believe everyone looks a bit younger than normal in the first trailer for Get a Job, you are not mistaken. Shot back in 2012, the latest film from Dy...
After giving our picks for the best cinematography of 2015, today brings conversation with some of the directors of photography from last year's notable fea...
"A young woman waits out the night in a twilight state, where dreams, memories, revisited and reenacted events intermingle. She tries her best to parse trut...
Finally arriving to theaters around a year after its Cannes debut, we've been eagerly awaiting writer-director Jeremy Saulnier's Blue Ruin follow-up Green R...
Blurring the line between documentary and fiction like few films before it, Michal Marczak's All These Sleepless Nights is a music-filled ode to the ever-shifti...
While we're just about done wrapping up this year's Sundance Film Festival, this month we'll get one of the best from last's year festival. Set for a nation...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
