After directing one of the best films of last year and before they head to television for the first time, Joel and Ethan Coen will be seen during the Super ...
The path to becoming a director is one generally accompanied by a profound knowledge of film history, but that passion is rarely more public then when it comes ...
The more I reflect on David Lowery's A Ghost Story, the more it emerges as my favorite film since The Tree of Life, a film that attempts similarly ambitious...
If you could sit face-to-face with Donald Trump, what would you say? Beatriz at Dinner doesn’t imagine exactly that, but the scenario it presents is undeniably ...
While watching Room, if one wished there was more laughs to go with the trauma, Brigsby Bear is the film you’ve been looking for. Dave McCary’s directorial debu...
Rhymes, beats, and an audience are all that Patricia Dombrowski requires to achieve her dreams of rap stardom. She already has the former, composed from her per...
The world of Daniel Clowes is one without manners, glamour, and tact, but it is also one of uncomfortable truth, as scathing as it might be. One may have never ...
Expanding her narrative scope but still retaining a level of aesthetic intimacy, Dee Rees’ Pariah follow-up Mudbound has the old-fashioned storytelling feel of ...
Humanity's most invaluable asset is our memory. It fuels our imagination, ignites conversations, and can unite us. It can also be distorted, reshaped, and forgo...
“I have loved you for the last time,” Sufjan Stevens sings in his original song “Visions of Gideon” in Call Me By Your Name. It’s a moment of both bittersweet h...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
