Throughout cinema’s history, gangster life has often been depicted in glamorous fashion with an endless access to drugs, guns, women, sports cars, and mansi...
One of the most popular films of the century thus far, although perhaps not having anything to do with standard quality metrics, is Tommy Wiseau's The Room...
While not arriving with the mostly unanimous acclaim that most of his other films received upon premiere, we still found a lot to like with Alexander Payne'...
It's been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky ...
In the handful of years since his last feature, we've been teased with a variety of potential future projects from In the Mood for Love and Chungking Express di...
Despite some warranted detractors targeting Abdellatif Kechiche's male gaze in Blue in the Warmest Color, his romantic drama had no problems picking up the ...
After dodging a bullet by leaving just before production was set to begin on Collateral Beauty, the first true Hollywood production from Alfonso Gomez‐Rejon...
In early 2018, we'll be treated with a pair of highly-promising stop-motion animations. Before Wes Anderson's Isle of Dogs arrives in April, Nick Park and A...
While his breakout feature Force Majeure was met with much acclaim a few years ago, Ruben Östlund returned to Cannes Film Festival with The Square, which ea...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
