Starting this week, the 2018 Sundance Film Festival gives us a first glimpse at the year in cinema, but even if you won't be at Park City, we're rounding up...
We speak with the cinematographer about The Commuter's utterly brilliant opening sequence, utilizing the new technology of Cinefade, the custom rig he built, and more....
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to hig...
Considering it has yet to be released in the United States, or stop by any festivals here, it was quite a feat for Lynne Ramsay's We Need to Talk About Kevi...
Celebrating its 10-year-anniversary this past fall, Juno marked a breakthrough for Jason Reitman, which he followed up with the equally-acclaimed Up in the ...
I recently counted down the 25 best scores and soundtracks of the past year, and coming in at the top spot was the newest work from one of the greatest cont...
When it comes to the U.S. distribution of Kiyoshi Kurosawa films, we often learn about their arrival just before they debut. Following the VOD-only release ...
Sister to Day-Lewis' Reynolds, through no more than a few words and a penetrating glare, the true relational hierarchy reveals itself in cunning ways thanks to Lesley Manville's icy cool....
Following his Oscar-winning short Curfew, director Shawn Christensen assembled a starry cast for his new feature, including Logan Lerman, Elle Fanning, Mich...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
