After an adventurous 2018 with her sci-fi odyssey Annihilation and ambitious pop star drama Vox Lux, Natalie Portman will head to (or rather, return from) s...
It's a shame that the director behind one of the century's greatest films, The Assassination of Jesse James by the Coward Robert Ford, has had this much tro...
It was seven years ago we got our last update on Park Chan-wook's ultra-violent western The Brigands of Rattleborge. With the director going on to make Th...
Captive State could very well be set in an alternate timeline of Arrival, one where the communication tactics of Louise Banks (Amy Adams) failed and the aliens ...
One of the most staggering cinematic experiences of recent years was seeing Bi Gan’s transportive, dreamlike odyssey Long Day’s into Night at the New York F...
After trying out high frame rates with Billy Lynn's Long Halftime Walk, Ang Lee is looking to continue pursuing technological advancements with his next fil...
We're approaching springtime, which means the first looks at what will likely premiere at Cannes Film Festival begin to see the light of day. One of the sur...
We talk with the Captive State director about crafting this sci-fi world, his influences, how the film looks at timely issues, ingenious casting, and more....
This summer will bring what we imagine is a fitting double feature with Quentin Tarantino's Once Upon a Time in Hollywood and Mary Harron's Charlie Says, bo...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
