Following his latest narrative feature, Ash Is Purest White–one of the finest U.S. releases of the year–Jia Zhangke quickly embarked on his next project, wh...
The films of Takashi Miike don't always get U.S. distribution, but thankfully after a strong response at Cannes, his latest feature First Love will arrive t...
With one of his most acclaimed films, Climax, getting a U.S. release this year (and now on Amazon Prime) as well as a brand-new medium-length work, Lux Æter...
One may wonder just how the Zach Galifianakis web series Between Two Ferns could be expanded into a feature film, but in the hands of director and co-writer...
Grímur Hákonarson landed on our radar with his last film, the heartfelt Un Certain Regard Cannes winner Rams. Four years later he's now back with The County...
After completing his "Living" trilogy back in 2014 with A Pigeon Sat on a Branch Reflecting on Existence, Roy Andersson has now returned for his next featur...
Andrew Dominik has spent the better half of the decade trying to get his Marilyn Monroe biopic off the ground and, thanks to Netflix, it's now becoming a re...
A film shoot can be grueling enough, but add real zombies to the mix, and it will turn into one's worst nightmare. The acclaimed Japanese horror-comedy One ...
Chilean director Pablo Larraín had a major 2016, releasing three films in the United States with The Club, Neruda, and his English-language debut Jackie. Wi...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
