The horrors contained in the new restoration of Come and See aren't enough for a viewer, another uncompromising World War II drama will be arriving later this ...
If one were to think of the cinematographers that defined the medium in the last decade, Sean Price Williams would be near the top. From his collaborations wit...
Founded in 2009 in Knoxville, Tennessee, Big Ears Festival is a renowned event bringing together, music, film, literature, art installations, and more. Year af...
Donald Trump may not be able to overcome the one-inch tall barrier of subtitles, but the post-Oscars ride of Parasite is continuing full steam ahead. Despite t...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Released in 1997 in its native country, Fruit Chan's Made in Hong Kong was a landmark independent film, considered to be the first of its kind in a post-Handov...
After directing dozens of shorts and commercials, notably with his job at Google, Aneesh Chaganty broke out with his feature directorial debut Searching at Sun...
If one is in the mood for some highly-stylized neo-noir, the best option this spring is Diao Yinan's impressive follow-up to his awarding-winning Black Coal, T...
After taking a bit of a break following mother! and Red Sparrow (not counting a contractually-obligated X-Men appearance), Jennifer Lawrence is gearing up for ...
While we wait to see if his long-gestating Megalopolis sees the light of day as reported, those who want to see Francis Ford Coppola gems–both praised and over...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
