Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile reperto...
If cinema has looked a little less beautiful these last few years, there's a good reason why: cinematographer Emmanuel Lubezki hasn't shot a new feature since ...
Entering its 19th edition this year, Tribeca Film Festival has announced its feature film lineup, including a number of anticipated titles as well as festival ...
If one is looking for some more female-led cult horror after last year's Midsommar, Polish director Małgorzata Szumowska has made her English-language debut wi...
While November and December are often considered the months in which films of the highest-quality films arrive (as award season demands), one could easily make...
When it comes to the field of animation, many productions can often succumb to a certain sameness in their respective visual approaches. This is certainly not ...
After watching over 400 films in the span of just around four months, director Frank Beauvais reflects on his life and what led to this cinematic hibernation i...
Following last year's Late Night, Nisha Ganatra is returning quickly with her follow-up. The Hight Note, arriving this May from Focus Features, stars Dakota Jo...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Candyman is back. A sequel to Bernard Rose's 1992 horror feature, based on Clive Barker's short story The Forbidden, this new creation comes from the minds of...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
