With his latest drama To the Ends of the Earth finally securing U.S. distribution, Kiyoshi Kurosawa embarked on production on his follow-up, the suspense/roman...
When James Mangold's Ford v. Ferrari arrived in theaters last year, with Michael Mann on board as executive producer, I had assumed that was his acceptance of ...
While Studio Ghibli has built a storied reputation for their meticulous hand-drawn animation, mixing in some CG only when required starting with Princess Monon...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
After first appearing on screen ever so briefly in films like Superbad and Milk, Dave Franco has since gone on to impress in If Beale Street Could Talk, Neighb...
One of cinema's greatest existential poets, Andrei Tarkovsky's seven feature films are some of the finest contributions to the medium. The Russian filmmaker, w...
It was a little less than five years ago, after the success of Upstream Color, that what was to be Shane Carruth's next project, The Modern Ocean, was unveiled...
One of the most entertaining films I saw at Sundance Film Festival earlier this year was Palm Springs, the new time loop comedy from the Lonely Island crew and...
Finally returning to feature filmmaking after his striking 2011 debut Martha Marcy May Marlene, Sean Durkin came back to Sundance Film Festival to premiere his...
As countries around the world decide when they believe it is safe to reopen theaters, there will no doubt be a staggered rollout. In South Korea, where they di...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
